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Handsomely forged like the best scenes of the best art films, Elizabeth Colen’s What Weaponry moves between expansive seashores and claustrophobic interiors to illuminate or exorcise the emotional interstices we all inhabit. Such violence and tenderness rubbing up against each other! It’s impossible to look away. And if, as Colen insists, 'There is no mystery here,' it’s because she has exposed the beautiful ugly subcutaneous.
—Debra Di Blasi