Black Lawrence Press

Submissions and Contests

Through our annual contests and open reading periods, we seek innovative, electrifying, and thoroughly intoxicating manuscripts that ensnare themselves in our hearts and minds and won’t let go.

SUBMISSIONS CALENDAR

The Big Moose Prize: December 1 – January 31
Open competition, novels

The Hudson Prize: February 1 – March 31
Open competition, poetry and short story collections

The Spring Black River Chapbook Competition: April 1 – May 31
Open competition, poetry and fiction chaps

Open Reading Period 1: June 1 – June 30

The St. Lawrence Book Award: July 1- August 31
First book competition, poetry and short story collections

The Fall Black River Chapbook Competition: September 1 – October 31
Open competition, poetry and fiction chaps

Open Reading Period 2: November 1 – November 30

Black Lawrence Press accepts submissions exclusively through our online submission manager, Submittable. We are not able to accept submissions via email or postal mail. Please see individual contest and open reading period pages for specific guidelines and information.

All manuscripts should include a title page, table of contents, and when appropriate, an acknowledgments page. Manuscripts should be paginated and formatted in an easy-to-read font such as Garamond or Times New Roman. Take note of the length guidelines specified on Submittable for each category. Please include a brief bio or something about yourself in your cover note on Submittable.

Need help with our submissions manager?
Visit http://help.submittable.com

We look forward to reading your work!

Open Reading Periods

Call for Entries

Deadline June 30

Click here to submit!

Previous selection

WHERE WE GO WHEN ALL WE WERE IS GONE by Sequoia Nagamatsu

Previous selection WHERE WE GO WHEN ALL WE WERE IS GONE by Sequoia Nagamatsu

“These stories deftly breathe new life into the myths and pop culture of an older Japan, bringing them into the modern world and directing them in unexpected ways. It’s hard to tell if Nagamatsu holds nothing sacred, or if he holds everything to be. In either case, the effect is the same: these are deft atmospheric romps that a hell of a lot of fun but also worm their way under your skin before you know it. An addictive and compelling debut.”
—Brian Evenson, author of Lords of Salem (as BK Evenson w/ Rob Zombie) and A Collapse of Horses

 

“A combination of the mystical, magical, and marvelous, Sequoia Nagamatsu weaves a collection of bold, hysterical, and moving tales into an unforgettable debut. From shape-shifters, to star-makers, to babies made of snow, the characters in Where We Go When All We Were Is Gone form a community of longing, of the surreal, of wonder. What a joy it is to read each and every story.”
—Michael Czyzniejewski, author of I Will Love You for the Rest of My Life: Breakup Stories